• About
  • Contact
  • Write For Us
No Result
View All Result
Donate
The Asian Cut
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Home
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
No Result
View All Result
The Asian Cut
No Result
View All Result

Reel Asian 2022: ‘Bad Axe’ Shows The Strength In Family

Calvin Law by Calvin Law
November 14, 2022
in Review
0
Bad Axe documentary

Photo Courtesy of IFC Films

⭐⭐⭐⭐

Rating: 4 out of 5.

After returning to his hometown, Bad Axe, Michigan, at the height of the 2020 pandemic, New York-based filmmaker David Siev passed the time by recording home videos of his family. At one point his father, Chun, asks, “Why are you filming everything?” And over the course of the documentary Bad Axe, Siev shows his father, and the audience, why.

Siev always felt that his family had a story to share with the world. Chun arrived in America as a refugee from war-torn Cambodia with his late mother, laying the foundations for an immigrant story that blossomed into a restaurant business and a family, which also includes Siev’s sisters, Jaclyn and Raquel, and their mother Rachel who is Mexican-American.

By following the Siev family through the troubled lockdowns, Bad Axe utilizes the power of observation in watching them work tirelessly for their community. We relish in their comfort with one another, and the pride they take in their restaurant. We also see the ways in which COVID impacted their daily lives, never shying away from the rough patches. Chun and Jaclyn, in particular, get into many rows with harsh words exchanged and frustrations boiling to the surface, as we see the Siev family become a target for racist attacks online and in-person. For instance, social media comments under a Bad Axe fundraiser telling them to return to Cambodia, and Raquel and Jaclyn getting slurs hurled at them by armed white supremacists at a BLM protest.

RelatedStories

KANON as Johnny Yoyogi and Mio Matsuda as Atsuko sitting on a bench in Yoyogi Johnny

Japan Cuts 2026: ‘Yoyogi Johnny’ Is a Dryly Funny Coming-of-Age Rehearsal

July 27, 2026
Chieko Baisho as Sumire Takano and Takuya Kimura as Koji Usami sitting on a park bench in Tokyo Taxi

Japan Cuts 2026: ‘Tokyo Taxi’ Sees Yoji Yamada Taking the Scenic Route Through a Life

July 23, 2026

The conflict between staying quiet and speaking up is central to Bad Axe, with no easy answers. Siev’s documentary becomes a source of contention as we realize in some ways, he is like us, an outsider — as Rachel points out, “You don’t live here [Michigan], you have no clue…it doesn’t cost you a damn thing.”

While Bad Axe documents the cost of their hardship, it also embraces their resilience. When Chun ruminates on his mental scars from the Cambodian Civil War, he reflects on how he can share his message with the next generation to heal their grief. And as the family bravely share their experiences, both the good and the bad, their voices form the potent themes of this documentary: the tensions arising from generational trauma, and the familial bonds of love that tie them together and alleviate their pain.

Now Streaming On

JustWatch

The Review

Tags: Bad AxeDavid SievDocumentaryReel AsianReel Asian 2022USA
ShareTweet
Calvin Law

Calvin Law

Calvin Law is an amateur film critic. He has completed a master's degree in film studies in the United Kingdom, and is currently based in Hong Kong. Calvin runs his own personal film blog, Reel and Roll Films, and his interest in spotlighting Asian and Asian diaspora stories led him to write for The Asian Cut. All of Calvin's content for Reel and Roll Films and other publications can be found on his Linktree.

Recommended For You

Consonance by Brian Jiang
Festival Report

The Asian Cut’s #ReelAsian26 Festival Favourites

November 21, 2022
A group of young women with their arms raised up in praise - a photo still from Jude Chehab's movie, Q
Review

Reel Asian 2023: Jude Chehab’s ‘Q’ Gifts Us Love

Photo still from Leela
Review

Reel Asian 2024: ‘Leela’ Captures the Sinister Threads of Womanhood in Small Towns

15 Ways My Dad Almost Died stars Canadian-Filipino comedian Alia Rasul
Review

‘15 Ways My Dad Almost Died’ Unearths A Forgotten History Through Humour 

A young man laying on his side on a hill from the documentary No Other Land.
Review

‘No Other Land’ Highlights the Bleak Reality of Fighting Against Oppression

Izaac Wang Chris Wang and his family, Chang Li Hua as Nai Nai, Joan Chen as Chungsing Wang, and Shirley Chen as Vivian Wang, sit at their dinner table in Dìdi (弟弟).
Review

Dìdi (弟弟) Is Unruly as Pubescence Itself

Next Post
Big Fight in Little Chinatown documentary

Reel Asian 2022: ‘Big Fight in Little Chinatown’ Considers the Historic Value of Chinatowns

Popular Stories

Curtis Ho Pak Lim as Alan looking up, standing in a stairwell in Time Still Turns the Pages

‘Time Still Turns the Pages’ Draws Melodramatic, Yet Evergreen Lessons

Close up of a young woman's side profile in Elizabeth Ai's documentary New Wave.

Tribeca 2024: Elizabeth Ai Examines the Vietnamese ‘New Wave’ & Its Profound Effects

Nora Aunor as Bona staring at Phillip Salvador as Gardo in Bardo.

Lina Brocka’s ‘Bona’ Paints a Portrait of Blind Devotion and Quiet Despair

Photo still from Powai.

MISAFF 2023: ‘Powai’ Falters in the Follow-Through of Its Effigial Intentions

Hiroki Sano as Sano standing with two friends in front of a house laughing in Super Happy Together.

Not Gonna Lie, ‘Super Happy Forever’ Had Us in the First Half

  • About
  • Contact
  • Write For Us

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Home
  • About
  • News
  • Reviews
  • Interviews
  • Essays
  • Director Retrospectives
  • Write For Us
  • Contact

Copyright © The Asian Cut 2026. All rights reserved.
Privacy Policy | Terms of Use