From ‘Saving Face’ To ‘The Half Of It’: Wrestling With Shame And Desire Across Time
An essay of Alice Wu's films, Saving Face and The Half of It.
From ‘Saving Face’ To ‘The Half Of It’: Wrestling With Shame And Desire Across Time
Anthony Chen on ‘The Breaking Ice’ and Breaking Away From His Comfort Zone
The Asian Cut’s Fall Festival Favourites
Wong Kar-Wai: Celebrating Celluloid and Sad Songs
The Kind Gaze of Time in 'In the Mood for Love'
Taking a 'Joy Ride' with Adele Lim: "Writing Really is the Hardest Part of the Process"
In Memory of CoCo Lee
Hot Docs: 'Coven' Director Rama Rau On Empathetic Filmmaking and the Power of Women
Anthony Shim: "Stories have to come from people who have empathy for them"
Art As And Within Community: A Conversation With Writer, Director and Producer V.T. Nayani
Bilal Baig On Their Whirlwind 2022 And Compassion
A Seat at the Table with Michael Fukushima
What does it mean to indulge the nostalgia mode: a closer look at ‘Pathaan’
Yoko Okumura Talks ‘Unseen’ and the 16-Year-Long Journey to Get There
A Tribute to Michelle Yeoh and Yu Shu Lien of 'Crouching Tiger, Hidden Dragon'
The Asian Cut’s Top 10 Movies & TV Shows of 2022
The Asian Cut’s #ReelAsian26 Festival Favourites
‘Free Chol Soo Lee’ & 'Who Killed Vincent Chin?': Acknowledging Pain And Opening Up To Catharsis
'Eternal Spring': An Overdue Addendum to the Definition of Canadian Cinema
Park Chan-wook on 'Decision to Leave' & Learning From 'Oldboy'
Andrew Chung on Representation and Appropriation in 'White Elephant'
Before Asians Were Crazy & Rich, We Were Singing a Flower Drum Song